a series of random(?) occurences
I come across a road I've never noticed before: a long straight road lined with symmetrically planted trees on each side. An arrow shaped sign points in the direction of the street. It reads: Reeshof.
I begin down the road, which from the looks of it will never end, just continue going straight forever and without encountering any hills. The street is cobblestone and there is a smooth red bicycle path that runs along the left side. After a few minutes of riding down the path, I encounter two other bicyclists who are riding quickly in the opposite direction. Other than these two, there is no one. No traffic, no cars, no other bicylists or pedestrians.
A few minutes later, a string of houses appear on the right side of the road and further ahead I can see the flashing lights of a construction vehicle. As I approach it, I see three men in the woods. Two are on the ground with chainsaws. One man is slicing through a tree at the spot where an orange line has been painted. A long line of trees, for as far as the road goes, have been marked with this orange paint. A second man stands closeby, slicing to pieces a tree which has already fallen down. A third man is operating a very tall machine that moves on large tires and has a massive black claw extending from it. The man sits in a small glass cage at the top of the machine. When the first man has sliced through 3/4 of the base of the tree, the man in the cage reaches out his massive black claw and closes the tree in his grip. He tightens his trip, tightens it some more, then, with a quick jerk, he pushes the tree forward, and begins to ease his grip. Slowly, carefully, he begins to withdraw his claw. The tree remains, hanging, floating, suspended in the air for a fraction of a second, before finally falling in a slow, swift motion away from the man in the cage, away from his massive black claw, to the ground. It does not make a sound.
A few minutes later two more men arrive in a truck carrying supplies. The driver pulls over to the side of the road, turns on the caution lights and they both get out and begin looking for supplies. I approach them, say "Hallo!" and ask if they speak English. One man, rummaging around in the bed of the truck looks up at me and replies, "Yes."
I ask him why they are tearing the trees down. He stops, stares at me for a second, blinks, and asks, "What?"
I repeat the question, this time adding, "What are you going to build here?"
He stares at me again, expressionless, without responding. He furrows his brow and shrugs his shoulders. "I don't know."
Then he turns away from me and continues rummaging.
I continue on. There is a steady rain, the light misty kind. I ride to Reeshof and keep going. I begin following signs for Gilze, a town I've never heard of. The bike path runs parallel to farmland for a while, then merges next to a highway, through the woods, and then along a highway again. Next to the highway begins a high fence with barbed wire on top and signs every few metres which depict the face of a snarling German Shepherd. Small cement huts with long rectangular slots in the front for sticking out guns are on the other side of the fence.
A prison? A military base? I continue riding down the path for a few more kilometres and the tall fence remains at my side.
Military trucks. I can see military trucks parked inside. Shortly after I notice an airplane off in the distance, descending from the dark clouds. An alarm begins ringing and a traffic light up ahead turns from green to red. Cars and trucks stop in both directions, a gap of about 60 metres of empty highway between them. They wait. I continue riding toward them. I slow down when I get to the red light but proceed through it. I am now in the 60 metre stretch of highway over which an airplane will descend upon in just a few moments.
I get off my bike and begin walking it, slowly, carefully, as if I am able to make myself invisible by moving cautiously. I reach the halfway point. The point at which, in about ten seonds, an airplane will fly just above my head, and then the high fence, and finally touch the runway on the other side.
I pull my headphones down and off of my ears, Idiotheque now vibrating around my neck. I fix my eyes on the airplane. I feel, or maybe I only imagine feeling, its immense power and speed as it cuts through the rain and the wind. I hold my breath, want to close my eyes, but force myself to keep them open. I can make out the pilot's head now, a black dot in a small glass cage.
He does not look at me, does not see me standing in the middle of the road, his gaze focused only on the runway. The wind, the rain, the alarm, the sound of the idling traffic, all stops. During this moment that the plane is above me, I hear and feel nothing but an immense surge of warm air. And then the plane is gone. I turn to watch it touch down on the pavement on the other side of the fence. It does not make a sound.
I remain there for a moment, until the alarm stops ringing. Then the traffic lights turn back to green and traffic begins to move again.
I continue on. I pass through small village after small village, past expansive fields, knotted willows, slaughterhouses, men building a hotel, dairy farms, past grazing sheep. I follow signs for Breda, the closest major city to Tilburg. It takes me about three hours to get there.
I am thoroughly soaked when I arrive and I am also very hungry. But the first shop that catches my interest is a small record store with a red carpet leading to the front door and a sign in the window which reads: "All vinyl - 5 Euro". Eating can wait. I park my bike and go inside.
The vinyl is in the back. The categories are: jazz and classical. I flip through some of the albums in the jazz section. Duke Ellington, Duke Ellington, Duke Ellington. An entire section only of Duke Ellington. I ask the man at the counter if they have any Nina Simone on vinyl. "No" he says, "Only cd."
I go back to the jazz section to do some deeper digging when I hear Nina Simone's voice. I stop and look over at the man behind the counter but he is busy on the computer. I look to the other end of the store and see another store clerk, a woman who is adjusting the stereo in the back corner. I approach her, with wide eyes and mouth agape and ask, "WHY did you put on Nina Simone just now?!"
She scrunches up her nose, purses her lips, places her hands on her hips, and responds, "I'm just looking for something, that's all. Why?"
I realize that my question must have sounded a bit rude and I quickly explain, "Oh, it's just that I was just asking the man at the counter if you have any Nina Simone on vinyl!"
Her face lightens up a bit and she walks back to the front of the store.
On my way out, I point to the ceiling and say to the man at the counter, "Hey! Nina Simone!" He looks up from the computer, pauses to listen, laughs, and says, "What a coincidence!"
I ask him if he knows of any nice vegetarian places closeby. He points me in the direction of a good one just down the street, called "Bagels and Beans."
I sit there writing, drying, staring out the window, belly full of a large mixed juice of orange, strawberry, banana, mango, a bagel with pesto/roasted tomato cream cheese and a hot chocolate met slagroom alstublieft.
My tights have finally dried by the time I'm ready to leave, although I unfortunately can't say the same for my gloves and hat, despite the fact that I placed them on the heater when I first arrived.
I dress up in my damp clothes and continue on. Although the rain has finally stopped, I decide to take the train back to Tilburg. While riding my bike down one of the busier streets, a man driving next to me in a car yells a question to me in Dutch. I respond by yelling that I don't speak Dutch. "You don't speak Dutch?!" He laughs and speeds ahead. Another car stops next to me at the next red light. I look down into the passenger window and a tiny baby looks up at me. The light turns green and the same car continues riding next to me for a few more blocks. The baby's gaze remains fixed on me for the entire time.
I speed up to the bicyclist in front of me and ask him if I am going in the correct direction for the train station. He's not from here either, he says. By the time I find the train station, I've asked seven strangers for directions. I wait at platform 2 for the 14:50 train to Tilburg. After a few minutes, I see the train coming around the bend, swiftly, and with immense speed. At the head of the train floats a dark figure in a glass cage. The train approaches the platform and comes to a halt. It does not make a sound.


